True, in his first chapter the author glances at the basic principles underlying the appreciation of ballet - and he does so for the very good reason that without such an introduction it might be supposed (quite wrongly) that the book is only for the select and elect -but his prime intention is to give the reader a comprehensive picture of the post-War ballet scene in this country.
With this end in view, Mr. Clive Barnes discusses and describes, briefly but authoritatively, every ballet company and every important ballet and dancer that have appeared in Britain since the War. Sadler's Wells, Ballet Rambert, International Ballet, Festival Ballet, New York City Ballet, Ballet Theatre, the international touring companies, the various French companies -we are told something not only of their post-W'ar achievements but of their origin and early history, and the respective contributions of dancers and choreographers are clearly stated and competently assessed.
Whether you are a fervent devotee or (as yet) just a “ follower,” this pocket guide to modern ballet - for that is what the book really is - will enlarge your ‘* background,” lend weight to your personal appreciations, and give added zest to your enjoyment of the art and arts of ballet.
For other titles in this series see end of text
True, in his first chapter the author glances at the basic principles underlying the appreciation of ballet - and he does so for the very good reason that without such an introduction it might be supposed (quite wrongly) that the book is only for the select and elect -but his prime intention is to give the reader a comprehensive picture of the post-War ballet scene in this country.
With this end in view, Mr. Clive Barnes discusses and describes, briefly but authoritatively, every ballet company and every important ballet and dancer that have appeared in Britain since the War. Sadler's Wells, Ballet Rambert, International Ballet, Festival Ballet, New York City Ballet, Ballet Theatre, the international touring companies, the various French companies -we are told something not only of their post-W'ar achievements but of their origin and early history, and the respective contributions of dancers and choreographers are clearly stated and competently assessed.
Whether you are a fervent devotee or (as yet) just a “ follower,” this pocket guide to modern ballet - for that is what the book really is - will enlarge your ‘* background,” lend weight to your personal appreciations, and give added zest to your enjoyment of the art and arts of ballet.
For other titles in this series see end of text
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