#smrgKİTABEVİ Computational Formalism in Literary Studies -
Editör:
Kondisyon:
Yeni
Sunuş / Önsöz / Sonsöz / Giriş:
Basıldığı Matbaa:
Dizi Adı:
ISBN-10:
9,78626E+12
Hazırlayan:
Cilt:
Amerikan Cilt
Boyut:
16x24
Sayfa Sayısı:
167
Basım Yeri:
İstanbul
Baskı:
1
Basım Tarihi:
2026
Kapak Türü:
Karton Kapak
Kağıt Türü:
Enso Kâğıt
Dili:
İngilizce
Kategori:
indirimli
382,50
Havale/EFT ile:
374,85
1199268378
656554
https://www.simurgkitabevi.com/computational-formalism-in-literary-studies
Computational Formalism in Literary Studies - #smrgKİTABEVİ
382.5
Shklovsky wrote in 1917 that art makes the stone stony. The claim assumed a baseline, habitual language against which literature registers as friction. Formalism never measured it. By 1930 the movement was finished and the term undefined. This book treats that as unfinished business. Emrah Peksoy argues that the computational analysis of literary corpora with language models supplies what Formalism lacked. It provides an empirical description of linguistic expectation. Once the norm exists, deviation stops being a metaphor. Defamiliarization becomes predictive failure. Literariness resolves into a geometry of fiction, prestige, and foregrounding. Narrative shape becomes a semantic trajectory across the novel. Each measure is derived from theory, tested where it fails, and returned to the reader. The algorithm measures the norm and its violation. The critic still reads. And formalism returns in modern dress as computational formalism.
Shklovsky wrote in 1917 that art makes the stone stony. The claim assumed a baseline, habitual language against which literature registers as friction. Formalism never measured it. By 1930 the movement was finished and the term undefined. This book treats that as unfinished business. Emrah Peksoy argues that the computational analysis of literary corpora with language models supplies what Formalism lacked. It provides an empirical description of linguistic expectation. Once the norm exists, deviation stops being a metaphor. Defamiliarization becomes predictive failure. Literariness resolves into a geometry of fiction, prestige, and foregrounding. Narrative shape becomes a semantic trajectory across the novel. Each measure is derived from theory, tested where it fails, and returned to the reader. The algorithm measures the norm and its violation. The critic still reads. And formalism returns in modern dress as computational formalism.
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