#smrgSAHAF Portraits From The Empire: Suna and İnan Kıraç Foundation Collection - 2005

Kondisyon:
Çok İyi
Basıldığı Matbaa:
Dizi Adı:
ISBN-10:
9759123029
Hazırlayan:
Samih Rifat, Barış Kıbrıs, Begüm Akkoyunlu
Stok Kodu:
1199054472
Boyut:
14x20
Sayfa Sayısı:
155 s.
Basım Yeri:
İstanbul
Baskı:
1
Basım Tarihi:
2005
Kapak Türü:
Karton Kapak
Kağıt Türü:
Kuşe
Dili:
Türkçe
Kategori:
0,00
1199054472
440466
Portraits From The Empire: Suna and İnan Kıraç Foundation Collection -        2005
Portraits From The Empire: Suna and İnan Kıraç Foundation Collection - 2005 #smrgSAHAF
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Thoughout the ages, the Orient has attracted the interest of the West. European intellectuals and artists have been mesmerized since the earliest times by this presumably mysterious and relatively closed world. As a natural consequence, during various periods many artists, either by traveling themselves or by traveling in the imaginations, sought to discover the essenceof the Orient, and depicted or expressed in their qorks either the real Orient or their own visions of it.

The movement known as orientailsm in European art, which appeared in conjunction with the Romanticist movement of the 19th century, focused on the East, primarily in the lands of the Ottoman empire. Even long before the rise of Orientalism in European art, many artists were fascinated by their first glimpses of the mysterious East and by the Turquerie fashion which was the result of the new realitions with the ottoman world. For nearly two hundred years, strarting from the 18th century, numbers of painters, some of whom became known as the Bosphorus Painters, worked intensively in the lands of the Empire and depicted the Ottoman world in its various aspects, consequently engraving those images in mankind's visual memory. The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Sixty paintings selected from the Suna and İnan Kıraç and Sevgi and Erdoğan Gönül collections bring us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign in their physiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.

Thoughout the ages, the Orient has attracted the interest of the West. European intellectuals and artists have been mesmerized since the earliest times by this presumably mysterious and relatively closed world. As a natural consequence, during various periods many artists, either by traveling themselves or by traveling in the imaginations, sought to discover the essenceof the Orient, and depicted or expressed in their qorks either the real Orient or their own visions of it.

The movement known as orientailsm in European art, which appeared in conjunction with the Romanticist movement of the 19th century, focused on the East, primarily in the lands of the Ottoman empire. Even long before the rise of Orientalism in European art, many artists were fascinated by their first glimpses of the mysterious East and by the Turquerie fashion which was the result of the new realitions with the ottoman world. For nearly two hundred years, strarting from the 18th century, numbers of painters, some of whom became known as the Bosphorus Painters, worked intensively in the lands of the Empire and depicted the Ottoman world in its various aspects, consequently engraving those images in mankind's visual memory. The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Sixty paintings selected from the Suna and İnan Kıraç and Sevgi and Erdoğan Gönül collections bring us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign in their physiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.

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