#smrgSAHAF Red Hot and Blue: A Smithsonian Salute to the American Musical - 1996
Editör:
Kondisyon:
Çok İyi
Sunuş / Önsöz / Sonsöz / Giriş:
Basıldığı Matbaa:
Dizi Adı:
ISBN-10:
Kargoya Teslim Süresi (İş Günü):
1&3
Hazırlayan:
Cilt:
Amerikan Cilt
Boyut:
25x31
Sayfa Sayısı:
268 s.
Baskı:
1
Basım Tarihi:
1996
Kapak Türü:
Ciltli
Kağıt Türü:
Kuşe
Dili:
İngilizce
Kategori:
0,00
1199250284
637277
https://www.simurgkitabevi.com/red-hot-and-blue-a-smithsonian-salute-to-the-american-musical-1996
Red Hot and Blue: A Smithsonian Salute to the American Musical - 1996 #smrgSAHAF
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An exhibition at the National Portrait Gallery, October 25, 1996, through July 6, 1997 Lavishly illustrated, Red, Hot & Blue showcases Hollywood and Broadway musical from its immigrant roots in nineteenth-century vaudeville, through its heyday on both the "Great White Way" and the silver screen, to its retrospective role today in such revivals as Show Boat. Its title taken from Cole Porter's 1936 musical, the book spotlights the performers, composers, lyricists, impresarios, choreographers, designers, and directors who collectively reinvented American culture through this most extravagant of twentieth-century art forms. Chronicling the "fine romance" between the audience and its musical icons, the authors portray the personalities who pushed boundaries of style and content to create an increasingly sophisticated melange of story, song, and dance. They show, too, how musicals have evoked two deeply ingrained national impulses: one, a nostalgia for a gentler, rural past, as seen in Oklahoma!, Meet Me in St. Louis, and The Music Man; the other an energetic embrace of the urban landscape, as expressed in On the Town, Guys and Dolls, and West Side Story.
An exhibition at the National Portrait Gallery, October 25, 1996, through July 6, 1997 Lavishly illustrated, Red, Hot & Blue showcases Hollywood and Broadway musical from its immigrant roots in nineteenth-century vaudeville, through its heyday on both the "Great White Way" and the silver screen, to its retrospective role today in such revivals as Show Boat. Its title taken from Cole Porter's 1936 musical, the book spotlights the performers, composers, lyricists, impresarios, choreographers, designers, and directors who collectively reinvented American culture through this most extravagant of twentieth-century art forms. Chronicling the "fine romance" between the audience and its musical icons, the authors portray the personalities who pushed boundaries of style and content to create an increasingly sophisticated melange of story, song, and dance. They show, too, how musicals have evoked two deeply ingrained national impulses: one, a nostalgia for a gentler, rural past, as seen in Oklahoma!, Meet Me in St. Louis, and The Music Man; the other an energetic embrace of the urban landscape, as expressed in On the Town, Guys and Dolls, and West Side Story.
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